- Human minds need narrative to make sense of things.
- We seek a beginning, middle and end for everything.
- Understand and construct meaning using out experience of realist and previous texts.
- Each text becomes part of previous and next through the relationship with the audience.
- EG -The Little Mermaid - Ariel sees boy and falls in love, she has a spell put on her to give her legs to find the boy and confess her love, she nearly loses her voice but she finds/marries the boy and lives happily with him.
- 'Story is the irreducible substance of a story (A mets B, something happens, order returns). Narrative is the way the story is related (Once upon a time there was a princess ...)". - Fiske et al (1983)
- Aristotle's theory in application - Heather packing bag - sets off trigger - sign that action is occuring.
- Aristotle's theory is that without action, a narrative cannot progress and that all meaning is gained as a result of this stimulus. In my production I depicted Heather pacing her bag hurriedly. This is a sign that action is occurring and the narrative couldn't occur with this happening.
- Genre, character, time conventions used to interpret text.
- THRILLER - characters lead others down certain routes. Time faster in films - more happens in shorter space. Manipulated using flashbacks - fill in back story. Films about time travel - time subverted. Time condensed/manipulated.
TIME
- Telescope out - slow motion shot which replays a winning goal/an 80 year life can be condensed into a 2 hour biopic.
- We consider "the time of the thing told and the time of the telling" (Metz)
- Use of ellipsis in editing = use of gaps in filming to make it seem time has passed.
- Time telescoped in my MV - Heather's deterioration over time.
- Time telescoped in my thriller - Heather packing bag and then in woods = time passed but can tell it's the same person. Ellipsis - conveys lots of action in a short time.
- Time of the thing told quickly condensed using ellipsis, as demonstrated by Metz.
NARRATIVE STRUCTURES

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