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Friday, 6 December 2013

Human Traffic: Screening Notes

Human Traffic, 1999
- historical example
- youth culture
- representation
- paralells between Human Traffic and Quadrophenia

Character list built from opening sequence:
- Jip - paranoid
- Koop - paranoid
- Nina - dramatic, bored of job
- Lulu - feminist
- Moff - confident/lazy, drug user

Notes made during screening:
  • Rioting, clubbing, mass groups, violent, troublemakers, action, drugs, youths.
  • Music is important to them - heavy beat and hip hop.
  • Male adult - power, boss.
  • Feel like robots in their job - bored, want adventure.
  • Parents have problems too.
  • "Chemical generation" - drugs.
  • Inspired by adult comedians - drugs.
  • Radio 1 reference.
  • Drugs before clubbing - "revved up".
  • "Music we love bought us together and so did the music we hate" - music is important.
  • Adults = sensible and responsible - contrast to laid back Jip about drugs.
  • Parents "really don't understand" - teens think employment is miserable.
  • "I want to lose my inhibitions".
  • Their generation is alienated - techno emergency and virtual reality - they're running out of ideas.
  • Joking about Trainspotting making them take heroin - their perception of what adults believe they do.
  • "Youth of today need older people to show them what to do".
  • Drugs/alcohol cause anger and halucinations - paranoia.
  • Drink driving.
  • Heavy dance music - partying.
  • Social pressures.
  • "We're no longer altogether as one but seperate mental patients" - end of the night.
  • Drugs make them lose their sense of reality.
  • Adults don't understand youth - they think they have no discipline, no respect due to them not having the correct upbrining.
  • Paralells between Moff and Jimmie - Modd cut himself off from family group.
    • Moff coming off drugs - 'being serious' because he's 'dissolving'.
    • Moff walking around London - music change to slow music.
    • Had epiphony at the end - didn't want to do it anymore.
  • Jip's end music contrasts Moff's.

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